Sunny Lazic – OCA – Music 1 ~ Stylistic Techniques

  • ASSIGNMENTS
    • ASSIGNMENT ONE ST
      • ASSIGNMENT ONE
        • ASSIGNMENT ONE, PART ONE – Q1-Q5 Renaissance Species Counterpoint
        • ASSIGNMENT ONE, PART TWO- ‘Rules in Music’ 500 word Essay.
      • Reflective Account 1
    • ASSIGNMENT TWO ST
      • ASSIGNMENT TWO
      • Reflective Account 2
      • Assignment Two REVISED
    • ASSIGNMENT THREE ST
      • ASSIGNMENT THREE
      • Reflective Account 3
    • ASSIGNMENT FOUR ST
      • ASSIGNMENT FOUR
      • Reflective Account 4
      • Assignment Four REVISED
    • ASSIGNMENT FIVE ST
      • ASSIGNMENT FIVE
      • Reflective Account 5
      • Assignment Five REVISED
  • Signposted entries
    • LO1 signpost
    • LO2 signpost
    • LO3 signpost
    • LO4 signpost
  • Reflective Presentation
  • LEARNING LOG
    • PART ONE – RENAISSANCE
      • PROJECT ONE – Gesualdo and Madrigals
        • [Pt. I Proj.1] Exercise 1.0 ‘Beltà poi che t’assenti’ by Gesualdo.
        • [Pt. I Proj.1] ~Research point 1.0: Renaissance madrigals
      • PROJECT TWO – Palestrina and the Mass
        • [Pt. I Proj.2]- Exercise 1.1 ANNOTATE SCORE OF PALESTRINA’S Giovanni Pierluigi da Palestrina’s – ‘Missa Brevis’- Kyrie- In ‘Third Book of Masses’(from 1570)
        • [Pt. I Proj.2]- Research point 1.1: The Mass- history, form, structure, text and music.
        • [Pt. I Proj.2]- Research point 1.1: The Mass- pt II.- 500 word article on ‘Religion and Music’
      • PROJECT THREE – Introduction to Species Counterpoint
        • [Pt. I Proj.3] – Exercise 1.2: First species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.3: Second species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.4: Third and fourth species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.5: Imitative counterpoint.
    • PART TWO – ROMANTICISM
      • PROJECT ONE – Orchestras and Virtuosos.
        • [Pt. II Proj.1] ~Research point 2.0: The orchestral score and INSTRUMENT GLOSSARY
        • [Pt. II Proj.1] ~Research point 2.1- ‘Harold en Italie’
      • PROJECT TWO – Wagner operas
        • [Pt. II Proj.2] ~Research point 2.2: The Ring cycle
      • PROJECT THREE – Exploring chromaticism
        • [Pt. II Proj.3] – Exploring Chromaticism ~Exercise 2.1: Nocturne Ornamentation
        • [Pt. II Proj.3] ~Research point 2.3: Globalisation
        • [Pt. II Proj.3] ~Research point 2.4: Performance practice in practice
    • PART THREE – BAROQUE PERIOD
      • PROJECT ONE – Handel’s Dixit Dominus and Figured Bass
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.0: Annotate Score.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Research point 3.0: Renaissance and Baroque tuning systems.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.1: Chord Spacing (voicing).
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.2: Working out for the numbers for the figured bass of bb. 12-16 of Dixit.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.3: Personal reflection of the exercises and your opinion of figured bass.
      • PROJECT TWO – A Bach Sonata
        • [Pt. III Proj.2] – A Bach Sonata – Research point: 3.1- Baroque ornamentation.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.a – Compose music influenced by Bach’s sonata.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.b – 200 word reflection on writing a Baroque sonata.
      • PROJECT THREE – A Bach Chorale
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5: Write 300 word on J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5. B: Chorale Harmonisation of J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Research Point 3.2 – Review of Max Richter’s ‘Vivaldi Recomposed’.
    • PART FOUR – MOVING INTO THE TWENTIETH CENTURY
      • PROJECT ONE – Debussy and Impressionism
        • [Pt. IV Proj.1] – Moving into the Twentieth Century Project 1- Debussy and Impressionism ~ Research point 4.0: Investigate impressionism and symbolism in art and poetry.
        • [Pt. IV Proj.1] – Moving into the Twentieth Century – Project 1- Debussy and Impressionism – Research Point 4.1 –Prélude à l’après-midi d’un faune
      • PROJECT TWO – New harmonic fields
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – La Cathédrale Engloutie
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.2 – Modes
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.3- Préludes II: Voiles, Whole- tone scale.
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.4- ‘So What’- Miles Davis and Impressionism.
      • PROJECT THREE – Serialism
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.0- Create your own twelve note row.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.1- Schoenberg Thema.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.5-Stravinsky and Neoclassicism.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.6-Berg and Webern.
    • PART FIVE – THE CLASSICAL ERA
      • PROJECT ONE – Sonata Form
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.1: Haydn structural analysis and score annotations.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.0: sonata form sections
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.2: The quality of the different passages of the first 30 bars.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.3: your thoughts on the investigation of Haydn’s Emperor. Write 250 words.
        • [Pt. V Proj.1] – Sonata Form – Research point 5.1- Bartók’s string Quartet No. 4 (1928), 400 words
      • PROJECT TWO – String Quartets
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.1:B – Textural surprises and integrated compositional technique.
      • PROJECT THREE – Mozart and Development Sections
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.4 – Haydn’s Emperor- second movement (the theme and variations)- summary of the different textures
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.4 – Steve Reich’s Different Trains (1988). 400 words
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.3 – Different methodologies in musical analysis.
        • [Pt. V Proj.3] – The Classical Era- Project 3- Mozart and Development Sections ~ Exercise 5.6 – Mozart’s Sonata No. 15 in C major for Piano Forte.
  • LISTENING LOG
    • LISTENING LOG- PART ONE – ( The Renaissance )
      • Listening Log- [Pt. I- Proj.1]- Carlos Gesualdo da Venosa – ‘Belta Poi Che t’Assenti’ in ‘Il seto libro di madrigali. No. 2’ W. 6/16 Published in 1611.
      • Listening Log- [Pt. I- Proj.1]- Andrea Gabrieli – ‘Caro dolce ben mio, perche fuggire’ in ‘Musica di XIII autori illustri à 5 voci. No. 28’ 1576. Cat No. IAG 17
      • Listening Log – [Pt. I- Proj.1]- Claudio Monteverdi’s ‘Ah, Dolente Partita’ from the fourth book of madrigals, published in 1603
      • Listening Log- [Pt. I- Proj.1]- Orlande de Lassos – ‘Matona, Mia Cara’ in ‘Libro de Villanelle, moresche et altre canzoni, no.12’. Published in 1581
      • Listening Log – [Pt. I- Proj.1]- Thomas Morley’s ‘Now is the month of Maying’ in ‘First Book of Ballets to Five Voyces’ in 1595.
      • Listening Log- [Pt. I- Proj.1]- John Wilbye’s ‘Sweet honey-sucking bees’ from ‘The Second Set of Madrigals for 3-6 voices, no.17’ published 1598)
      • Listening Log-[Pt. I- Proj.2]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
      • Listening Log – [Pt. I- Proj.2]-Stravinsky’s Mass
      • Listening Log – [Pt. I- Proj. 2]-Olivier Messiaen’s ‘Messe de la Pentecôte” (from 1949-50)
      • Listening Log – [Pt. I- Proj. 2]-Sir John Tavener’s ‘The Protecting Veil’ (from 1988)
    • LISTENING LOG- PART TWO – ( The Romantic Era )
      • Listening Log – [Pt. II- Proj. 3]- John Williams’ ‘Star Wars (Main Title)’ (from 1977)
      • Listening Log – [Pt. II- Proj. 3]- Perry Como’s ’I’m Always Chasing Rainbows’ 1946 VERSUS Chopin’s ‘Fantasie Impromtu’Op.66 1834/1855.
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Ride of the Valkyries theme’ (as used in Francis Ford Coppola’s 1978 film ‘Apocalypse Now’)
      • Listening Log – [Pt. II- Proj. 1]- Richard Strauss’ ‘Also Sprach Zarathustra Intro’1896 (as used in Stanley Kubrick’s 1968 film ‘2001: A Space Odyssey’)
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Der Ring des Nibelungen’ (The Ring of the Nibelung) WWV 86. (1848 -1874)
      • Listening Log – [Pt. II- Proj. 1]- Hector Berlioz’ ‘Harold en Italie’ Symphonie en quatre parties avec un Alto principal, Op. 16
      • Listening Log – [Pt. II- Proj. 3]- Chopin’s Nocturne Op. 9 No. 3 in B major.
    • LISTENING LOG- PART THREE– ( Baroque Period )
      • Listening Log – [Pt. III ]- George Frideric Handel – Water Music- Suite in F major (HWV 348)
      • Listening Log – [Pt. III]- John Locke- Hornpipe- Mad Moll of the Cheshire Hunts ( 11H64 2432) 1909
      • Listening Log – [Pt. III]- La bourrée en Auvergne par Lou Belladaires and Johann Sebastian Bach – Bourrée in E Minor, BWV 996.
      • Listening Log – [Pt. III]- VASILI BYROS- PRELUDE IN D MINOR for Harpsichord (2015)
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Goldberg Variations, BWV 988
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Das wohltemperierte Klavier I, II, BWV 846–893 (Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893)
      • Listening Log – [Pt. III]- FRANCESCO TRISTANO- Circle Song (2017)
      • Listening Log – [Pt. III Proj, 3]- Johann Sebastian Bach- Wachet auf, ruft uns die Stimme, Cantata No. 140, BWV 140
      • Listening Log – [Pt. III]- Max Richter’s ‘Vivaldi Recomposed'(2012)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
      • Listening Log – [Pt. III]- Jasmin Kent Rodgman – ‘Idol Lost’ (2018)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
    • Listening Log – PART FOUR – (Moving into the Twentieth Century)
      • Listening Log – [Pt. IV]- Claude Debussy – Préludes. BOOK I. Prélude II: Voiles. (1909)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude VII (…Ce qu’a vu le vent d’ouest)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude IX (…La sérénade interrompue)
      • Listening Log – [Pt. IV]- ‘So What’ from Miles Davis’ 1959 ‘Kind of Blue’ album
      • Listening Log – [Pt. IV]- Bix Beiderbecke- In a Mist (1927)
      • Listening Log – [Pt. IV]- Thelonious Monk- Four in One (1951)
      • Listening Log – [Pt. IV]- Belle Chen- ‘Between the Land and Sea’ and ‘Shui’
      • Listening Log – [Pt. IV]- Medhi Hassan Ghazal- Raga Sahera
      • Listening Log – [Pt. IV]- Kraftwerk- Spacelab (1978) from the album ‘die Mensch maschine’.
      • Listening Log – [Pt. IV]- King Crimson- Fractured (1974) from ‘Starless And Bible Black’ album.
      • Listening Log – [Pt. IV]- Lili Boulanger – Vieille prière bouddhique (1917)
      • Listening Log – [Pt. IV]- Darius Milhaud – Le boeuf sur le toit, Op. 58 (1920)
      • Listening Log – [Pt. IV]- Tristan Murail- La Barque Mystique (1993).
      • Listening Log – [Pt. IV]- Arthur Honegger – ‘Pacific 231’-Movément Symphonique No. 1 (1923)
      • Listening Log – [Pt. IV]- Schoenberg’s ‘Variations for Orchestra. Op. 31 (1928)
      • Listening Log – [Pt. IV]- Stravinsky’s Neoclassicism
      • Listening Log – [Pt. IV]- Berg’s Violin Concerto, (1935) and Anton Webern – Symphony Op. 21 (1927-28)
    • LISTENING LOG – PART FIVE – (The Classical Era)
      • Listening Log – [Pt. V]- Haydn – Emperor String Quartet Op. 76 No. 3
      • Listening Log – [Pt. V]- Bartók – String Quartet No. 4 (1928)
      • Listening Log – [Pt. V]- Steve Reich – Different Trains (1988)
      • Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte
      • Listening Log – [Pt. V]- Beethoven – Pastoral Symphony No. 6 in F
      • Listening Log – [Pt. V]- Luigi Boccherini – String Quintet in E maj Opus 11 No 5. G275
      • Listening Log – [Pt. V]- Manoury – Tensio Second String Quartet
      • Listening Log – [Pt. V]- Mauricio Kagel- Streichquartett I and II (1965-67)
      • Listening Log – [Pt. V]- Crawford Seeger, Ruth – String Quartet (1931)
      • Listening Log – [Pt. V]-Clint Mansell- Lux Aeterna (2000) from ‘Requiem for a dream’ album (OST). (performed by Kronos Quartet)
      • Listening Log – [Pt. V]- Lee Westwood Ensemble – My Mind Is A Valley (2008)
      • Listening Log – [Pt. V]- [钢琴演奏] Raymond Yiu – Lullaby (for Edna Trident Hornbryce) 2020
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Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte

Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte

Rather than include a separate listening Log I will refer you to my annotated score analysis in the learning log linked below:

[Pt. V Proj.3] – The Classical Era- Project 3- Mozart and Development Sections ~ Exercise 5.6 – Mozart’s Sonata No. 15 in C major for Piano Forte.

Stylistic Techniques

  • ASSIGNMENTS
    • ASSIGNMENT ONE ST
      • ASSIGNMENT ONE
        • ASSIGNMENT ONE, PART ONE – Q1-Q5 Renaissance Species Counterpoint
        • ASSIGNMENT ONE, PART TWO- ‘Rules in Music’ 500 word Essay.
      • Reflective Account 1
    • ASSIGNMENT TWO ST
      • ASSIGNMENT TWO
      • Reflective Account 2
      • Assignment Two REVISED
    • ASSIGNMENT THREE ST
      • ASSIGNMENT THREE
      • Reflective Account 3
    • ASSIGNMENT FOUR ST
      • ASSIGNMENT FOUR
      • Reflective Account 4
      • Assignment Four REVISED
    • ASSIGNMENT FIVE ST
      • ASSIGNMENT FIVE
      • Reflective Account 5
      • Assignment Five REVISED
  • Signposted entries
    • LO1 signpost
    • LO2 signpost
    • LO3 signpost
    • LO4 signpost
  • Reflective Presentation
  • LEARNING LOG
    • PART ONE – RENAISSANCE
      • PROJECT ONE – Gesualdo and Madrigals
        • [Pt. I Proj.1] Exercise 1.0 ‘Beltà poi che t’assenti’ by Gesualdo.
        • [Pt. I Proj.1] ~Research point 1.0: Renaissance madrigals
      • PROJECT TWO – Palestrina and the Mass
        • [Pt. I Proj.2]- Exercise 1.1 ANNOTATE SCORE OF PALESTRINA’S Giovanni Pierluigi da Palestrina’s – ‘Missa Brevis’- Kyrie- In ‘Third Book of Masses’(from 1570)
        • [Pt. I Proj.2]- Research point 1.1: The Mass- history, form, structure, text and music.
        • [Pt. I Proj.2]- Research point 1.1: The Mass- pt II.- 500 word article on ‘Religion and Music’
      • PROJECT THREE – Introduction to Species Counterpoint
        • [Pt. I Proj.3] – Exercise 1.2: First species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.3: Second species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.4: Third and fourth species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.5: Imitative counterpoint.
    • PART TWO – ROMANTICISM
      • PROJECT ONE – Orchestras and Virtuosos.
        • [Pt. II Proj.1] ~Research point 2.0: The orchestral score and INSTRUMENT GLOSSARY
        • [Pt. II Proj.1] ~Research point 2.1- ‘Harold en Italie’
      • PROJECT TWO – Wagner operas
        • [Pt. II Proj.2] ~Research point 2.2: The Ring cycle
      • PROJECT THREE – Exploring chromaticism
        • [Pt. II Proj.3] – Exploring Chromaticism ~Exercise 2.1: Nocturne Ornamentation
        • [Pt. II Proj.3] ~Research point 2.3: Globalisation
        • [Pt. II Proj.3] ~Research point 2.4: Performance practice in practice
    • PART THREE – BAROQUE PERIOD
      • PROJECT ONE – Handel’s Dixit Dominus and Figured Bass
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.0: Annotate Score.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Research point 3.0: Renaissance and Baroque tuning systems.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.1: Chord Spacing (voicing).
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.2: Working out for the numbers for the figured bass of bb. 12-16 of Dixit.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.3: Personal reflection of the exercises and your opinion of figured bass.
      • PROJECT TWO – A Bach Sonata
        • [Pt. III Proj.2] – A Bach Sonata – Research point: 3.1- Baroque ornamentation.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.a – Compose music influenced by Bach’s sonata.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.b – 200 word reflection on writing a Baroque sonata.
      • PROJECT THREE – A Bach Chorale
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5: Write 300 word on J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5. B: Chorale Harmonisation of J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Research Point 3.2 – Review of Max Richter’s ‘Vivaldi Recomposed’.
    • PART FOUR – MOVING INTO THE TWENTIETH CENTURY
      • PROJECT ONE – Debussy and Impressionism
        • [Pt. IV Proj.1] – Moving into the Twentieth Century Project 1- Debussy and Impressionism ~ Research point 4.0: Investigate impressionism and symbolism in art and poetry.
        • [Pt. IV Proj.1] – Moving into the Twentieth Century – Project 1- Debussy and Impressionism – Research Point 4.1 –Prélude à l’après-midi d’un faune
      • PROJECT TWO – New harmonic fields
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – La Cathédrale Engloutie
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.2 – Modes
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.3- Préludes II: Voiles, Whole- tone scale.
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.4- ‘So What’- Miles Davis and Impressionism.
      • PROJECT THREE – Serialism
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.0- Create your own twelve note row.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.1- Schoenberg Thema.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.5-Stravinsky and Neoclassicism.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.6-Berg and Webern.
    • PART FIVE – THE CLASSICAL ERA
      • PROJECT ONE – Sonata Form
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.1: Haydn structural analysis and score annotations.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.0: sonata form sections
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.2: The quality of the different passages of the first 30 bars.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.3: your thoughts on the investigation of Haydn’s Emperor. Write 250 words.
        • [Pt. V Proj.1] – Sonata Form – Research point 5.1- Bartók’s string Quartet No. 4 (1928), 400 words
      • PROJECT TWO – String Quartets
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.1:B – Textural surprises and integrated compositional technique.
      • PROJECT THREE – Mozart and Development Sections
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.4 – Haydn’s Emperor- second movement (the theme and variations)- summary of the different textures
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.4 – Steve Reich’s Different Trains (1988). 400 words
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.3 – Different methodologies in musical analysis.
        • [Pt. V Proj.3] – The Classical Era- Project 3- Mozart and Development Sections ~ Exercise 5.6 – Mozart’s Sonata No. 15 in C major for Piano Forte.
  • LISTENING LOG
    • LISTENING LOG- PART ONE – ( The Renaissance )
      • Listening Log- [Pt. I- Proj.1]- Carlos Gesualdo da Venosa – ‘Belta Poi Che t’Assenti’ in ‘Il seto libro di madrigali. No. 2’ W. 6/16 Published in 1611.
      • Listening Log- [Pt. I- Proj.1]- Andrea Gabrieli – ‘Caro dolce ben mio, perche fuggire’ in ‘Musica di XIII autori illustri à 5 voci. No. 28’ 1576. Cat No. IAG 17
      • Listening Log – [Pt. I- Proj.1]- Claudio Monteverdi’s ‘Ah, Dolente Partita’ from the fourth book of madrigals, published in 1603
      • Listening Log- [Pt. I- Proj.1]- Orlande de Lassos – ‘Matona, Mia Cara’ in ‘Libro de Villanelle, moresche et altre canzoni, no.12’. Published in 1581
      • Listening Log – [Pt. I- Proj.1]- Thomas Morley’s ‘Now is the month of Maying’ in ‘First Book of Ballets to Five Voyces’ in 1595.
      • Listening Log- [Pt. I- Proj.1]- John Wilbye’s ‘Sweet honey-sucking bees’ from ‘The Second Set of Madrigals for 3-6 voices, no.17’ published 1598)
      • Listening Log-[Pt. I- Proj.2]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
      • Listening Log – [Pt. I- Proj.2]-Stravinsky’s Mass
      • Listening Log – [Pt. I- Proj. 2]-Olivier Messiaen’s ‘Messe de la Pentecôte” (from 1949-50)
      • Listening Log – [Pt. I- Proj. 2]-Sir John Tavener’s ‘The Protecting Veil’ (from 1988)
    • LISTENING LOG- PART TWO – ( The Romantic Era )
      • Listening Log – [Pt. II- Proj. 3]- John Williams’ ‘Star Wars (Main Title)’ (from 1977)
      • Listening Log – [Pt. II- Proj. 3]- Perry Como’s ’I’m Always Chasing Rainbows’ 1946 VERSUS Chopin’s ‘Fantasie Impromtu’Op.66 1834/1855.
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Ride of the Valkyries theme’ (as used in Francis Ford Coppola’s 1978 film ‘Apocalypse Now’)
      • Listening Log – [Pt. II- Proj. 1]- Richard Strauss’ ‘Also Sprach Zarathustra Intro’1896 (as used in Stanley Kubrick’s 1968 film ‘2001: A Space Odyssey’)
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Der Ring des Nibelungen’ (The Ring of the Nibelung) WWV 86. (1848 -1874)
      • Listening Log – [Pt. II- Proj. 1]- Hector Berlioz’ ‘Harold en Italie’ Symphonie en quatre parties avec un Alto principal, Op. 16
      • Listening Log – [Pt. II- Proj. 3]- Chopin’s Nocturne Op. 9 No. 3 in B major.
    • LISTENING LOG- PART THREE– ( Baroque Period )
      • Listening Log – [Pt. III ]- George Frideric Handel – Water Music- Suite in F major (HWV 348)
      • Listening Log – [Pt. III]- John Locke- Hornpipe- Mad Moll of the Cheshire Hunts ( 11H64 2432) 1909
      • Listening Log – [Pt. III]- La bourrée en Auvergne par Lou Belladaires and Johann Sebastian Bach – Bourrée in E Minor, BWV 996.
      • Listening Log – [Pt. III]- VASILI BYROS- PRELUDE IN D MINOR for Harpsichord (2015)
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Goldberg Variations, BWV 988
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Das wohltemperierte Klavier I, II, BWV 846–893 (Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893)
      • Listening Log – [Pt. III]- FRANCESCO TRISTANO- Circle Song (2017)
      • Listening Log – [Pt. III Proj, 3]- Johann Sebastian Bach- Wachet auf, ruft uns die Stimme, Cantata No. 140, BWV 140
      • Listening Log – [Pt. III]- Max Richter’s ‘Vivaldi Recomposed'(2012)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
      • Listening Log – [Pt. III]- Jasmin Kent Rodgman – ‘Idol Lost’ (2018)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
    • Listening Log – PART FOUR – (Moving into the Twentieth Century)
      • Listening Log – [Pt. IV]- Claude Debussy – Préludes. BOOK I. Prélude II: Voiles. (1909)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude VII (…Ce qu’a vu le vent d’ouest)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude IX (…La sérénade interrompue)
      • Listening Log – [Pt. IV]- ‘So What’ from Miles Davis’ 1959 ‘Kind of Blue’ album
      • Listening Log – [Pt. IV]- Bix Beiderbecke- In a Mist (1927)
      • Listening Log – [Pt. IV]- Thelonious Monk- Four in One (1951)
      • Listening Log – [Pt. IV]- Belle Chen- ‘Between the Land and Sea’ and ‘Shui’
      • Listening Log – [Pt. IV]- Medhi Hassan Ghazal- Raga Sahera
      • Listening Log – [Pt. IV]- Kraftwerk- Spacelab (1978) from the album ‘die Mensch maschine’.
      • Listening Log – [Pt. IV]- King Crimson- Fractured (1974) from ‘Starless And Bible Black’ album.
      • Listening Log – [Pt. IV]- Lili Boulanger – Vieille prière bouddhique (1917)
      • Listening Log – [Pt. IV]- Darius Milhaud – Le boeuf sur le toit, Op. 58 (1920)
      • Listening Log – [Pt. IV]- Tristan Murail- La Barque Mystique (1993).
      • Listening Log – [Pt. IV]- Arthur Honegger – ‘Pacific 231’-Movément Symphonique No. 1 (1923)
      • Listening Log – [Pt. IV]- Schoenberg’s ‘Variations for Orchestra. Op. 31 (1928)
      • Listening Log – [Pt. IV]- Stravinsky’s Neoclassicism
      • Listening Log – [Pt. IV]- Berg’s Violin Concerto, (1935) and Anton Webern – Symphony Op. 21 (1927-28)
    • LISTENING LOG – PART FIVE – (The Classical Era)
      • Listening Log – [Pt. V]- Haydn – Emperor String Quartet Op. 76 No. 3
      • Listening Log – [Pt. V]- Bartók – String Quartet No. 4 (1928)
      • Listening Log – [Pt. V]- Steve Reich – Different Trains (1988)
      • Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte
      • Listening Log – [Pt. V]- Beethoven – Pastoral Symphony No. 6 in F
      • Listening Log – [Pt. V]- Luigi Boccherini – String Quintet in E maj Opus 11 No 5. G275
      • Listening Log – [Pt. V]- Manoury – Tensio Second String Quartet
      • Listening Log – [Pt. V]- Mauricio Kagel- Streichquartett I and II (1965-67)
      • Listening Log – [Pt. V]- Crawford Seeger, Ruth – String Quartet (1931)
      • Listening Log – [Pt. V]-Clint Mansell- Lux Aeterna (2000) from ‘Requiem for a dream’ album (OST). (performed by Kronos Quartet)
      • Listening Log – [Pt. V]- Lee Westwood Ensemble – My Mind Is A Valley (2008)
      • Listening Log – [Pt. V]- [钢琴演奏] Raymond Yiu – Lullaby (for Edna Trident Hornbryce) 2020
  • Carla Rees’ Flute workshop
  • About Sunny
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  • About Sunny
  • MUSIC 1 ~ FROM THE PRESENT TO THE PAST
    • Assignments
      • Assignment One
        • Assignment One – Music in film and Contemporary classical
        • Assignment One – Formative Feedback
        • Assignment One – REVISED – Music in film and Contemporary classical
      • Assignment Two
        • Assignment Two – Impressionism
        • Assignment Two – Formative Feedback
        • Assignment Two – REVISED ~ Impressionism
      • Assingment Three
        • Assignment Three ~ Nationalism in Music
        • Assignment Three – Formative Feedback
        • Assignment Three ~ REVISED ~ Nationalism in Music
      • Assignment Four
        • Assignment Four ~ Neoclassicism
        • Assignment Four – Formative Feedback
        • Assignment Four~ REVISED ~ Neoclassicism
      • Assignment Five
        • Assignment Five ~ Ars Nova, Renaissance and Baroque Music
        • Assignment Five – Formative Feedback
    • LISTENING LOG
      • Listening Log- [Pt.1 Proj.2] – ‘Baisha xiye’ 白沙细乐 traditional music of the Naxi people of China.
      • Listening Log – [Pt. I Proj.2]- Ennio Morricone’s ‘The Good, The Bad and The Ugly: Original Motion Picture Soundtrack’
      • Listening Log – Pt. II ~ Twentieth-century Music – Igor Stravinsky’s ~ Le Sacre du printemps  ‘Весна священная’
      • Listening – [Pt. II – Proj. 1] – Ravel’s Bolero
      • Listening Log – [Pt. II – Proj. 1] – Edgar Varèse’s Amériques
      • Listening Log- [Pt. II – Proj. 1] ~ Edgar Varèse- Déserts
      • Listening Log- [Pt. II – Proj. 1] Carl August Nielsen’s Symphony No. 5, Op  50
      • Listening Log- [Pt. II] – Impressionism – Claude Debussy’s ‘Prelude to the Afternoon of a Faun’
      • Listening Log – [Pt.II] – Maurice Ravel’s ‘Ondine’
      • Listening Log – [Pt.II] – Manuel de Falla’s ‘Night’s in the Garden’s of Spain’
      • Listening Log – [Pt.II] – Ernest Fanelli’s ‘Tableaux symphoniques d’apres le Roman de la Momie’
      • Listening Log- [Pt. II Proj.2] ~ John Cage- Various
      • Listening Log – [Pt. II Proj.2] -Luigi Nono – Sofferte onde Serene (1976)
      • Listening Log- [Pt. II – Proj. 3] Steve Reich’s ‘Clapping Music’
      • Listening Log [Pt. II Proj.2] -Britten’s ‘The turn of the Screw’ chamber opera
      • Listening Log- [Pt. III- Proj.2] Ludwig Van Beethoven’s Piano Trio in B Flat Major, Op. 11 “Gassenhauer”
      • Listening Log- [Pt. III- Proj.2] Ludwig Van Beethoven’s Symphony No. 1 in C Major, Op. 21
      • Listening Log- [Pt. III – Proj.2] – Ludwig Van Beethoven’s first piano sonata No 1 in F minor, Op 2
      • Listening Log- [Pt. III – Proj.2] – Ludwig Van Beethoven’s last piano sonata No 32 in C minor, Op 111
      • Listening Log -[Pt. III – Proj.2] Gustav Mahler tone poem- Symphony No. 8 in E-flat major
      • Listening Log – [Pt. IV Proj.1] Wolfgang Amadeus Mozart’s Symphony No. 40 in G minor, K.550
      • Listening Log – [Pt. I Proj.2]- Wolfgang Amadeus Mozart, Various. ‘AMADEUS: Original Motion Picture Soundtrack’
      • Listening Log – [Pt. IV Proj.2] – Joseph Haydn’s symphony no. 103
      • Listening Log- [Pt. IV – Proj. 4] – Wolfgang Amadeus Mozart’s – The Magic Flute
      • Listening Log- [Pt. V- Proj.1] Georg Philipp Telemann – Concerto in E minor for Flute and Recorder, TWV 52:e1
      • Listening Log- [Pt. V- Proj.1] Guiseppe Tartini – Sonata in G minor, Bg,5 ‘Il Tillo Del Diavolo’
      • Listening Log- [Pt. V- Proj.2]- Johann Sebastian Bach’s Mass in B minor. BWV 232
      • Listening Log- [Pt. V- Proj.4]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
    • LEARNING LOG (all Projects/Exercises/Research)
      • Part I – Music today
        • Project One- Listening to music in the modern world
          • [Pt.I Proj.1] ~ Exercise 2 – Exploring genres
          • [Pt.I- Proj.1] ~ Exercise 1- Exercise How would you define music?
        • Project Two- Music in modern contexts
          • [Pt.I Proj.2] – Pop versus classical
          • [Pt.1 Proj.2] – World Music in a multicultural society
          • [Pt. I Proj.2] ~Exercise~ Listening to music in film
          • [Pt.I~Proj.2] -Music and technology
          • [Pt. I Proj.2] ~ Exercise – The qualities of pop music
        • Project Three – Instruments of the orchestra
          • [Pt.I Proj.3] ~Research point – Instruments of the Orchestra
        • Project Four – Contemporary classical music
          • [Pt. I Proj.4] ~ Exercise- Exploring contemporary classical composition- Sir John Tavener
      • PART II – Twentieth-century music
        • Project One – 1900 to 1945
          • [Pt. II Proj.1] – Exercise ~ Impressionism, rhythm and pitch
          • [Pt. II – Proj. 1] ~ Listening Log – Music between the wars 1919–1945 – Edgar Varese- Deserts
          • [Pt. II – Proj. 1] ~ 1900 to 1945 – Programme Notes to Carl August Nielsen’s Symphony No. 5, Op  50
          • [Pt. II – Proj. 1] ~ Listening Log – Music between the wars 1919–1945 – Ravel’s Bolero
          • [Pt. II – Proj. 1] ~ Listening Log – Music between the wars 1919–1945 – Varèse’s Amériques
        • Project Two – After the Second World War
          • [Pt. II Proj.2] ~ Exercise Considering chance and serial music
          • Pt. II – Proj. ? – Research point ~ Extended tonality –Britten’s ‘The turn of the Screw’ chamber opera
          • Pt. II Proj. ? – Impressionism – Research point ~ create my own version of of Cage’s 4’33”
        • Project Three – New audiences
          • [Pt. II – Proj. 3] ~ New instrumental sounds – Exercise Exploring composition for percussion- Steve Reich’s ‘Clapping Music’
      • PART III – Nineteenth-century innovation
        • Project Two – Romantic music
          • [Pt. III – Proj. 2] ~ Exercise – Expressing national identity
          • [Pt. III – Proj.2] – Exercise – Classical and Romantic- Beethoven
          • [Pt. III – Proj.2] – Listening Log – Programme music – symphonic poem – Mahler tone poem- Symphony No. 8 in E-flat major
          • [Pt. III- Proj.2] – Exercise Classical and Romantic- Beethoven’s Piano Trio in B Flat Major, Op. 11 “Gassenhauer”
        • Project Three – New audiences
          • [Pt. III – Proj. 3] ~ Exercise- Go to a concert
        • Project Four- Wagner and opera
          • [Pt. III – Proj. 4] ~ Research point- Was Wagner a Nazi?
      • PART IV – The Classical Style
        • Project One – Classical forms of composition
          • [Pt. IV Proj.1] -The Classical style – Classical forms of composition – Exercise Enjoying Classical music – Wolfgang Amadeus Mozart’s Symphony No. 40 in G minor, K.550
        • Project Two – Composers of the Classical Era
          • [Pt. IV – Proj. 2] – Exercise – Mozart as court musician /Amadeus
          • [Pt. IV Proj.2] – Listening Log – Composers of the Classical era – Haydn’s symphony no. 103
        • Project Three – Musical performance in the Classical era
          • [Pt. IV – Proj.3] – Research point – Period ensemble
          • [Pt. IV – Proj.3] – Exercise – The Mannheim School
        • Project Four – Opera in the Classical era
          • [Pt. IV – Proj. 4] – Exercise – Short critical review – the Magic Flute
      • PART V – Ars Nova, Renaissance and Baroque
        • Project One – Musical instruments of the Baroque and Renaissance eras
          • [Pt.V- Proj. 1] – Exercise ~ Listen to early music
          • [Pt.V- Proj. 1] ~ Research point – early instruments
        • Project Two – Baroque compositional forms
          • [Pt.V- Proj.2] ~ Exercise – Understanding Baroque forms
            • [Pt. V- Proj.1] Listening Log- Guiseppe Tartini – Sonata in G minor, Bg,5 ‘Il Tillo Del Diavolo’
            • [Pt. V- Proj.1] – Listening Log- Georg Philipp Telemann – Concerto in E minor for Flute and Recorder, TWV 52:e1
          • Project Three – Composers of the Baroque era
            • [Pt.V- Proj.3] ~ Listening Log – Johann Sebastian Bach’s Mass in B minor. BWV 232
            • [Pt.V- Proj.3] ~ Exercise – Musical patronage
          • Project Four – Ars Nova and Renaissance music
            • [Pt.V- Proj.4] ~ Research point – Humanism
            • [Pt.V- Proj.4] ~ Exercise- Renaissance composers – Monteverdi
            • [Pt.V- Proj.4] ~ – Listening Log – Ars Nova and Renaissance music – Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli (1562)
        • Project Five – Music Theory Project – Modes, tuning systems and early notation
          • [Pt.V~ Music Theory Proj. 1] – Modes, tuning systems and early notation -Research point – early notation examples
          • [Pt.V~ Music Theory Proj. 2] – Research point – different tuning systems
    • Summative Assessment Feedback- Mark Sheet – Music 1 – From Present to Past