Sunny Lazic – OCA – Music 1 ~ Stylistic Techniques

  • ASSIGNMENTS
    • ASSIGNMENT ONE ST
      • ASSIGNMENT ONE
        • ASSIGNMENT ONE, PART ONE – Q1-Q5 Renaissance Species Counterpoint
        • ASSIGNMENT ONE, PART TWO- ‘Rules in Music’ 500 word Essay.
      • Reflective Account 1
    • ASSIGNMENT TWO ST
      • ASSIGNMENT TWO
      • Reflective Account 2
      • Assignment Two REVISED
    • ASSIGNMENT THREE ST
      • ASSIGNMENT THREE
      • Reflective Account 3
    • ASSIGNMENT FOUR ST
      • ASSIGNMENT FOUR
      • Reflective Account 4
      • Assignment Four REVISED
    • ASSIGNMENT FIVE ST
      • ASSIGNMENT FIVE
      • Reflective Account 5
      • Assignment Five REVISED
  • Signposted entries
    • LO1 signpost
    • LO2 signpost
    • LO3 signpost
    • LO4 signpost
  • Reflective Presentation
  • LEARNING LOG
    • PART ONE – RENAISSANCE
      • PROJECT ONE – Gesualdo and Madrigals
        • [Pt. I Proj.1] Exercise 1.0 ‘Beltà poi che t’assenti’ by Gesualdo.
        • [Pt. I Proj.1] ~Research point 1.0: Renaissance madrigals
      • PROJECT TWO – Palestrina and the Mass
        • [Pt. I Proj.2]- Exercise 1.1 ANNOTATE SCORE OF PALESTRINA’S Giovanni Pierluigi da Palestrina’s – ‘Missa Brevis’- Kyrie- In ‘Third Book of Masses’(from 1570)
        • [Pt. I Proj.2]- Research point 1.1: The Mass- history, form, structure, text and music.
        • [Pt. I Proj.2]- Research point 1.1: The Mass- pt II.- 500 word article on ‘Religion and Music’
      • PROJECT THREE – Introduction to Species Counterpoint
        • [Pt. I Proj.3] – Exercise 1.2: First species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.3: Second species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.4: Third and fourth species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.5: Imitative counterpoint.
    • PART TWO – ROMANTICISM
      • PROJECT ONE – Orchestras and Virtuosos.
        • [Pt. II Proj.1] ~Research point 2.0: The orchestral score and INSTRUMENT GLOSSARY
        • [Pt. II Proj.1] ~Research point 2.1- ‘Harold en Italie’
      • PROJECT TWO – Wagner operas
        • [Pt. II Proj.2] ~Research point 2.2: The Ring cycle
      • PROJECT THREE – Exploring chromaticism
        • [Pt. II Proj.3] – Exploring Chromaticism ~Exercise 2.1: Nocturne Ornamentation
        • [Pt. II Proj.3] ~Research point 2.3: Globalisation
        • [Pt. II Proj.3] ~Research point 2.4: Performance practice in practice
    • PART THREE – BAROQUE PERIOD
      • PROJECT ONE – Handel’s Dixit Dominus and Figured Bass
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.0: Annotate Score.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Research point 3.0: Renaissance and Baroque tuning systems.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.1: Chord Spacing (voicing).
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.2: Working out for the numbers for the figured bass of bb. 12-16 of Dixit.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.3: Personal reflection of the exercises and your opinion of figured bass.
      • PROJECT TWO – A Bach Sonata
        • [Pt. III Proj.2] – A Bach Sonata – Research point: 3.1- Baroque ornamentation.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.a – Compose music influenced by Bach’s sonata.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.b – 200 word reflection on writing a Baroque sonata.
      • PROJECT THREE – A Bach Chorale
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5: Write 300 word on J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5. B: Chorale Harmonisation of J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Research Point 3.2 – Review of Max Richter’s ‘Vivaldi Recomposed’.
    • PART FOUR – MOVING INTO THE TWENTIETH CENTURY
      • PROJECT ONE – Debussy and Impressionism
        • [Pt. IV Proj.1] – Moving into the Twentieth Century Project 1- Debussy and Impressionism ~ Research point 4.0: Investigate impressionism and symbolism in art and poetry.
        • [Pt. IV Proj.1] – Moving into the Twentieth Century – Project 1- Debussy and Impressionism – Research Point 4.1 –Prélude à l’après-midi d’un faune
      • PROJECT TWO – New harmonic fields
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – La Cathédrale Engloutie
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.2 – Modes
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.3- Préludes II: Voiles, Whole- tone scale.
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.4- ‘So What’- Miles Davis and Impressionism.
      • PROJECT THREE – Serialism
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.0- Create your own twelve note row.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.1- Schoenberg Thema.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.5-Stravinsky and Neoclassicism.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.6-Berg and Webern.
    • PART FIVE – THE CLASSICAL ERA
      • PROJECT ONE – Sonata Form
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.1: Haydn structural analysis and score annotations.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.0: sonata form sections
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.2: The quality of the different passages of the first 30 bars.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.3: your thoughts on the investigation of Haydn’s Emperor. Write 250 words.
        • [Pt. V Proj.1] – Sonata Form – Research point 5.1- Bartók’s string Quartet No. 4 (1928), 400 words
      • PROJECT TWO – String Quartets
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.1:B – Textural surprises and integrated compositional technique.
      • PROJECT THREE – Mozart and Development Sections
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.4 – Haydn’s Emperor- second movement (the theme and variations)- summary of the different textures
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.4 – Steve Reich’s Different Trains (1988). 400 words
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.3 – Different methodologies in musical analysis.
        • [Pt. V Proj.3] – The Classical Era- Project 3- Mozart and Development Sections ~ Exercise 5.6 – Mozart’s Sonata No. 15 in C major for Piano Forte.
  • LISTENING LOG
    • LISTENING LOG- PART ONE – ( The Renaissance )
      • Listening Log- [Pt. I- Proj.1]- Carlos Gesualdo da Venosa – ‘Belta Poi Che t’Assenti’ in ‘Il seto libro di madrigali. No. 2’ W. 6/16 Published in 1611.
      • Listening Log- [Pt. I- Proj.1]- Andrea Gabrieli – ‘Caro dolce ben mio, perche fuggire’ in ‘Musica di XIII autori illustri à 5 voci. No. 28’ 1576. Cat No. IAG 17
      • Listening Log – [Pt. I- Proj.1]- Claudio Monteverdi’s ‘Ah, Dolente Partita’ from the fourth book of madrigals, published in 1603
      • Listening Log- [Pt. I- Proj.1]- Orlande de Lassos – ‘Matona, Mia Cara’ in ‘Libro de Villanelle, moresche et altre canzoni, no.12’. Published in 1581
      • Listening Log – [Pt. I- Proj.1]- Thomas Morley’s ‘Now is the month of Maying’ in ‘First Book of Ballets to Five Voyces’ in 1595.
      • Listening Log- [Pt. I- Proj.1]- John Wilbye’s ‘Sweet honey-sucking bees’ from ‘The Second Set of Madrigals for 3-6 voices, no.17’ published 1598)
      • Listening Log-[Pt. I- Proj.2]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
      • Listening Log – [Pt. I- Proj.2]-Stravinsky’s Mass
      • Listening Log – [Pt. I- Proj. 2]-Olivier Messiaen’s ‘Messe de la Pentecôte” (from 1949-50)
      • Listening Log – [Pt. I- Proj. 2]-Sir John Tavener’s ‘The Protecting Veil’ (from 1988)
    • LISTENING LOG- PART TWO – ( The Romantic Era )
      • Listening Log – [Pt. II- Proj. 3]- John Williams’ ‘Star Wars (Main Title)’ (from 1977)
      • Listening Log – [Pt. II- Proj. 3]- Perry Como’s ’I’m Always Chasing Rainbows’ 1946 VERSUS Chopin’s ‘Fantasie Impromtu’Op.66 1834/1855.
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Ride of the Valkyries theme’ (as used in Francis Ford Coppola’s 1978 film ‘Apocalypse Now’)
      • Listening Log – [Pt. II- Proj. 1]- Richard Strauss’ ‘Also Sprach Zarathustra Intro’1896 (as used in Stanley Kubrick’s 1968 film ‘2001: A Space Odyssey’)
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Der Ring des Nibelungen’ (The Ring of the Nibelung) WWV 86. (1848 -1874)
      • Listening Log – [Pt. II- Proj. 1]- Hector Berlioz’ ‘Harold en Italie’ Symphonie en quatre parties avec un Alto principal, Op. 16
      • Listening Log – [Pt. II- Proj. 3]- Chopin’s Nocturne Op. 9 No. 3 in B major.
    • LISTENING LOG- PART THREE– ( Baroque Period )
      • Listening Log – [Pt. III ]- George Frideric Handel – Water Music- Suite in F major (HWV 348)
      • Listening Log – [Pt. III]- John Locke- Hornpipe- Mad Moll of the Cheshire Hunts ( 11H64 2432) 1909
      • Listening Log – [Pt. III]- La bourrée en Auvergne par Lou Belladaires and Johann Sebastian Bach – Bourrée in E Minor, BWV 996.
      • Listening Log – [Pt. III]- VASILI BYROS- PRELUDE IN D MINOR for Harpsichord (2015)
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Goldberg Variations, BWV 988
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Das wohltemperierte Klavier I, II, BWV 846–893 (Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893)
      • Listening Log – [Pt. III]- FRANCESCO TRISTANO- Circle Song (2017)
      • Listening Log – [Pt. III Proj, 3]- Johann Sebastian Bach- Wachet auf, ruft uns die Stimme, Cantata No. 140, BWV 140
      • Listening Log – [Pt. III]- Max Richter’s ‘Vivaldi Recomposed'(2012)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
      • Listening Log – [Pt. III]- Jasmin Kent Rodgman – ‘Idol Lost’ (2018)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
    • Listening Log – PART FOUR – (Moving into the Twentieth Century)
      • Listening Log – [Pt. IV]- Claude Debussy – Préludes. BOOK I. Prélude II: Voiles. (1909)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude VII (…Ce qu’a vu le vent d’ouest)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude IX (…La sérénade interrompue)
      • Listening Log – [Pt. IV]- ‘So What’ from Miles Davis’ 1959 ‘Kind of Blue’ album
      • Listening Log – [Pt. IV]- Bix Beiderbecke- In a Mist (1927)
      • Listening Log – [Pt. IV]- Thelonious Monk- Four in One (1951)
      • Listening Log – [Pt. IV]- Belle Chen- ‘Between the Land and Sea’ and ‘Shui’
      • Listening Log – [Pt. IV]- Medhi Hassan Ghazal- Raga Sahera
      • Listening Log – [Pt. IV]- Kraftwerk- Spacelab (1978) from the album ‘die Mensch maschine’.
      • Listening Log – [Pt. IV]- King Crimson- Fractured (1974) from ‘Starless And Bible Black’ album.
      • Listening Log – [Pt. IV]- Lili Boulanger – Vieille prière bouddhique (1917)
      • Listening Log – [Pt. IV]- Darius Milhaud – Le boeuf sur le toit, Op. 58 (1920)
      • Listening Log – [Pt. IV]- Tristan Murail- La Barque Mystique (1993).
      • Listening Log – [Pt. IV]- Arthur Honegger – ‘Pacific 231’-Movément Symphonique No. 1 (1923)
      • Listening Log – [Pt. IV]- Schoenberg’s ‘Variations for Orchestra. Op. 31 (1928)
      • Listening Log – [Pt. IV]- Stravinsky’s Neoclassicism
      • Listening Log – [Pt. IV]- Berg’s Violin Concerto, (1935) and Anton Webern – Symphony Op. 21 (1927-28)
    • LISTENING LOG – PART FIVE – (The Classical Era)
      • Listening Log – [Pt. V]- Haydn – Emperor String Quartet Op. 76 No. 3
      • Listening Log – [Pt. V]- Bartók – String Quartet No. 4 (1928)
      • Listening Log – [Pt. V]- Steve Reich – Different Trains (1988)
      • Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte
      • Listening Log – [Pt. V]- Beethoven – Pastoral Symphony No. 6 in F
      • Listening Log – [Pt. V]- Luigi Boccherini – String Quintet in E maj Opus 11 No 5. G275
      • Listening Log – [Pt. V]- Manoury – Tensio Second String Quartet
      • Listening Log – [Pt. V]- Mauricio Kagel- Streichquartett I and II (1965-67)
      • Listening Log – [Pt. V]- Crawford Seeger, Ruth – String Quartet (1931)
      • Listening Log – [Pt. V]-Clint Mansell- Lux Aeterna (2000) from ‘Requiem for a dream’ album (OST). (performed by Kronos Quartet)
      • Listening Log – [Pt. V]- Lee Westwood Ensemble – My Mind Is A Valley (2008)
      • Listening Log – [Pt. V]- [钢琴演奏] Raymond Yiu – Lullaby (for Edna Trident Hornbryce) 2020
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Listening Log – [Pt. V]- Mozart – Symphony in G minor, No. 40

Listening Log – [Pt. V]- Mozart – Symphony in G minor, No. 40

I did a listening log for this piece in my previous course and it is still too fresh in my memory to want to redo it anew. For the sake of completion here is a link to the log entry;

Listening Log – [Pt. IV Proj.1] Wolfgang Amadeus Mozart’s Symphony No. 40 in G minor, K.550

Stylistic Techniques

  • ASSIGNMENTS
    • ASSIGNMENT ONE ST
      • ASSIGNMENT ONE
        • ASSIGNMENT ONE, PART ONE – Q1-Q5 Renaissance Species Counterpoint
        • ASSIGNMENT ONE, PART TWO- ‘Rules in Music’ 500 word Essay.
      • Reflective Account 1
    • ASSIGNMENT TWO ST
      • ASSIGNMENT TWO
      • Reflective Account 2
      • Assignment Two REVISED
    • ASSIGNMENT THREE ST
      • ASSIGNMENT THREE
      • Reflective Account 3
    • ASSIGNMENT FOUR ST
      • ASSIGNMENT FOUR
      • Reflective Account 4
      • Assignment Four REVISED
    • ASSIGNMENT FIVE ST
      • ASSIGNMENT FIVE
      • Reflective Account 5
      • Assignment Five REVISED
  • Signposted entries
    • LO1 signpost
    • LO2 signpost
    • LO3 signpost
    • LO4 signpost
  • Reflective Presentation
  • LEARNING LOG
    • PART ONE – RENAISSANCE
      • PROJECT ONE – Gesualdo and Madrigals
        • [Pt. I Proj.1] Exercise 1.0 ‘Beltà poi che t’assenti’ by Gesualdo.
        • [Pt. I Proj.1] ~Research point 1.0: Renaissance madrigals
      • PROJECT TWO – Palestrina and the Mass
        • [Pt. I Proj.2]- Exercise 1.1 ANNOTATE SCORE OF PALESTRINA’S Giovanni Pierluigi da Palestrina’s – ‘Missa Brevis’- Kyrie- In ‘Third Book of Masses’(from 1570)
        • [Pt. I Proj.2]- Research point 1.1: The Mass- history, form, structure, text and music.
        • [Pt. I Proj.2]- Research point 1.1: The Mass- pt II.- 500 word article on ‘Religion and Music’
      • PROJECT THREE – Introduction to Species Counterpoint
        • [Pt. I Proj.3] – Exercise 1.2: First species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.3: Second species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.4: Third and fourth species: Now it’s your go
        • [Pt. I Proj.3] – Exercise 1.5: Imitative counterpoint.
    • PART TWO – ROMANTICISM
      • PROJECT ONE – Orchestras and Virtuosos.
        • [Pt. II Proj.1] ~Research point 2.0: The orchestral score and INSTRUMENT GLOSSARY
        • [Pt. II Proj.1] ~Research point 2.1- ‘Harold en Italie’
      • PROJECT TWO – Wagner operas
        • [Pt. II Proj.2] ~Research point 2.2: The Ring cycle
      • PROJECT THREE – Exploring chromaticism
        • [Pt. II Proj.3] – Exploring Chromaticism ~Exercise 2.1: Nocturne Ornamentation
        • [Pt. II Proj.3] ~Research point 2.3: Globalisation
        • [Pt. II Proj.3] ~Research point 2.4: Performance practice in practice
    • PART THREE – BAROQUE PERIOD
      • PROJECT ONE – Handel’s Dixit Dominus and Figured Bass
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.0: Annotate Score.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Research point 3.0: Renaissance and Baroque tuning systems.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.1: Chord Spacing (voicing).
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.2: Working out for the numbers for the figured bass of bb. 12-16 of Dixit.
        • [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.3: Personal reflection of the exercises and your opinion of figured bass.
      • PROJECT TWO – A Bach Sonata
        • [Pt. III Proj.2] – A Bach Sonata – Research point: 3.1- Baroque ornamentation.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.a – Compose music influenced by Bach’s sonata.
        • [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.b – 200 word reflection on writing a Baroque sonata.
      • PROJECT THREE – A Bach Chorale
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5: Write 300 word on J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5. B: Chorale Harmonisation of J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
        • [Pt. III Proj.3] – A Bach Chorale- Research Point 3.2 – Review of Max Richter’s ‘Vivaldi Recomposed’.
    • PART FOUR – MOVING INTO THE TWENTIETH CENTURY
      • PROJECT ONE – Debussy and Impressionism
        • [Pt. IV Proj.1] – Moving into the Twentieth Century Project 1- Debussy and Impressionism ~ Research point 4.0: Investigate impressionism and symbolism in art and poetry.
        • [Pt. IV Proj.1] – Moving into the Twentieth Century – Project 1- Debussy and Impressionism – Research Point 4.1 –Prélude à l’après-midi d’un faune
      • PROJECT TWO – New harmonic fields
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – La Cathédrale Engloutie
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.2 – Modes
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.3- Préludes II: Voiles, Whole- tone scale.
        • [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.4- ‘So What’- Miles Davis and Impressionism.
      • PROJECT THREE – Serialism
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.0- Create your own twelve note row.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.1- Schoenberg Thema.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.5-Stravinsky and Neoclassicism.
        • [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.6-Berg and Webern.
    • PART FIVE – THE CLASSICAL ERA
      • PROJECT ONE – Sonata Form
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.1: Haydn structural analysis and score annotations.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.0: sonata form sections
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.2: The quality of the different passages of the first 30 bars.
        • [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.3: your thoughts on the investigation of Haydn’s Emperor. Write 250 words.
        • [Pt. V Proj.1] – Sonata Form – Research point 5.1- Bartók’s string Quartet No. 4 (1928), 400 words
      • PROJECT TWO – String Quartets
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.1:B – Textural surprises and integrated compositional technique.
      • PROJECT THREE – Mozart and Development Sections
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.4 – Haydn’s Emperor- second movement (the theme and variations)- summary of the different textures
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.4 – Steve Reich’s Different Trains (1988). 400 words
        • [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.3 – Different methodologies in musical analysis.
        • [Pt. V Proj.3] – The Classical Era- Project 3- Mozart and Development Sections ~ Exercise 5.6 – Mozart’s Sonata No. 15 in C major for Piano Forte.
  • LISTENING LOG
    • LISTENING LOG- PART ONE – ( The Renaissance )
      • Listening Log- [Pt. I- Proj.1]- Carlos Gesualdo da Venosa – ‘Belta Poi Che t’Assenti’ in ‘Il seto libro di madrigali. No. 2’ W. 6/16 Published in 1611.
      • Listening Log- [Pt. I- Proj.1]- Andrea Gabrieli – ‘Caro dolce ben mio, perche fuggire’ in ‘Musica di XIII autori illustri à 5 voci. No. 28’ 1576. Cat No. IAG 17
      • Listening Log – [Pt. I- Proj.1]- Claudio Monteverdi’s ‘Ah, Dolente Partita’ from the fourth book of madrigals, published in 1603
      • Listening Log- [Pt. I- Proj.1]- Orlande de Lassos – ‘Matona, Mia Cara’ in ‘Libro de Villanelle, moresche et altre canzoni, no.12’. Published in 1581
      • Listening Log – [Pt. I- Proj.1]- Thomas Morley’s ‘Now is the month of Maying’ in ‘First Book of Ballets to Five Voyces’ in 1595.
      • Listening Log- [Pt. I- Proj.1]- John Wilbye’s ‘Sweet honey-sucking bees’ from ‘The Second Set of Madrigals for 3-6 voices, no.17’ published 1598)
      • Listening Log-[Pt. I- Proj.2]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
      • Listening Log – [Pt. I- Proj.2]-Stravinsky’s Mass
      • Listening Log – [Pt. I- Proj. 2]-Olivier Messiaen’s ‘Messe de la Pentecôte” (from 1949-50)
      • Listening Log – [Pt. I- Proj. 2]-Sir John Tavener’s ‘The Protecting Veil’ (from 1988)
    • LISTENING LOG- PART TWO – ( The Romantic Era )
      • Listening Log – [Pt. II- Proj. 3]- John Williams’ ‘Star Wars (Main Title)’ (from 1977)
      • Listening Log – [Pt. II- Proj. 3]- Perry Como’s ’I’m Always Chasing Rainbows’ 1946 VERSUS Chopin’s ‘Fantasie Impromtu’Op.66 1834/1855.
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Ride of the Valkyries theme’ (as used in Francis Ford Coppola’s 1978 film ‘Apocalypse Now’)
      • Listening Log – [Pt. II- Proj. 1]- Richard Strauss’ ‘Also Sprach Zarathustra Intro’1896 (as used in Stanley Kubrick’s 1968 film ‘2001: A Space Odyssey’)
      • Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Der Ring des Nibelungen’ (The Ring of the Nibelung) WWV 86. (1848 -1874)
      • Listening Log – [Pt. II- Proj. 1]- Hector Berlioz’ ‘Harold en Italie’ Symphonie en quatre parties avec un Alto principal, Op. 16
      • Listening Log – [Pt. II- Proj. 3]- Chopin’s Nocturne Op. 9 No. 3 in B major.
    • LISTENING LOG- PART THREE– ( Baroque Period )
      • Listening Log – [Pt. III ]- George Frideric Handel – Water Music- Suite in F major (HWV 348)
      • Listening Log – [Pt. III]- John Locke- Hornpipe- Mad Moll of the Cheshire Hunts ( 11H64 2432) 1909
      • Listening Log – [Pt. III]- La bourrée en Auvergne par Lou Belladaires and Johann Sebastian Bach – Bourrée in E Minor, BWV 996.
      • Listening Log – [Pt. III]- VASILI BYROS- PRELUDE IN D MINOR for Harpsichord (2015)
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Goldberg Variations, BWV 988
      • Listening Log – [Pt. III]- Johann Sebastian Bach- Das wohltemperierte Klavier I, II, BWV 846–893 (Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893)
      • Listening Log – [Pt. III]- FRANCESCO TRISTANO- Circle Song (2017)
      • Listening Log – [Pt. III Proj, 3]- Johann Sebastian Bach- Wachet auf, ruft uns die Stimme, Cantata No. 140, BWV 140
      • Listening Log – [Pt. III]- Max Richter’s ‘Vivaldi Recomposed'(2012)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
      • Listening Log – [Pt. III]- Jasmin Kent Rodgman – ‘Idol Lost’ (2018)
      • Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
    • Listening Log – PART FOUR – (Moving into the Twentieth Century)
      • Listening Log – [Pt. IV]- Claude Debussy – Préludes. BOOK I. Prélude II: Voiles. (1909)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude VII (…Ce qu’a vu le vent d’ouest)
      • Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude IX (…La sérénade interrompue)
      • Listening Log – [Pt. IV]- ‘So What’ from Miles Davis’ 1959 ‘Kind of Blue’ album
      • Listening Log – [Pt. IV]- Bix Beiderbecke- In a Mist (1927)
      • Listening Log – [Pt. IV]- Thelonious Monk- Four in One (1951)
      • Listening Log – [Pt. IV]- Belle Chen- ‘Between the Land and Sea’ and ‘Shui’
      • Listening Log – [Pt. IV]- Medhi Hassan Ghazal- Raga Sahera
      • Listening Log – [Pt. IV]- Kraftwerk- Spacelab (1978) from the album ‘die Mensch maschine’.
      • Listening Log – [Pt. IV]- King Crimson- Fractured (1974) from ‘Starless And Bible Black’ album.
      • Listening Log – [Pt. IV]- Lili Boulanger – Vieille prière bouddhique (1917)
      • Listening Log – [Pt. IV]- Darius Milhaud – Le boeuf sur le toit, Op. 58 (1920)
      • Listening Log – [Pt. IV]- Tristan Murail- La Barque Mystique (1993).
      • Listening Log – [Pt. IV]- Arthur Honegger – ‘Pacific 231’-Movément Symphonique No. 1 (1923)
      • Listening Log – [Pt. IV]- Schoenberg’s ‘Variations for Orchestra. Op. 31 (1928)
      • Listening Log – [Pt. IV]- Stravinsky’s Neoclassicism
      • Listening Log – [Pt. IV]- Berg’s Violin Concerto, (1935) and Anton Webern – Symphony Op. 21 (1927-28)
    • LISTENING LOG – PART FIVE – (The Classical Era)
      • Listening Log – [Pt. V]- Haydn – Emperor String Quartet Op. 76 No. 3
      • Listening Log – [Pt. V]- Bartók – String Quartet No. 4 (1928)
      • Listening Log – [Pt. V]- Steve Reich – Different Trains (1988)
      • Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte
      • Listening Log – [Pt. V]- Beethoven – Pastoral Symphony No. 6 in F
      • Listening Log – [Pt. V]- Luigi Boccherini – String Quintet in E maj Opus 11 No 5. G275
      • Listening Log – [Pt. V]- Manoury – Tensio Second String Quartet
      • Listening Log – [Pt. V]- Mauricio Kagel- Streichquartett I and II (1965-67)
      • Listening Log – [Pt. V]- Crawford Seeger, Ruth – String Quartet (1931)
      • Listening Log – [Pt. V]-Clint Mansell- Lux Aeterna (2000) from ‘Requiem for a dream’ album (OST). (performed by Kronos Quartet)
      • Listening Log – [Pt. V]- Lee Westwood Ensemble – My Mind Is A Valley (2008)
      • Listening Log – [Pt. V]- [钢琴演奏] Raymond Yiu – Lullaby (for Edna Trident Hornbryce) 2020
  • Carla Rees’ Flute workshop
  • About Sunny
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  • About Sunny
  • MUSIC 1 ~ FROM THE PRESENT TO THE PAST
    • Assignments
      • Assignment One
        • Assignment One – Music in film and Contemporary classical
        • Assignment One – Formative Feedback
        • Assignment One – REVISED – Music in film and Contemporary classical
      • Assignment Two
        • Assignment Two – Impressionism
        • Assignment Two – Formative Feedback
        • Assignment Two – REVISED ~ Impressionism
      • Assingment Three
        • Assignment Three ~ Nationalism in Music
        • Assignment Three – Formative Feedback
        • Assignment Three ~ REVISED ~ Nationalism in Music
      • Assignment Four
        • Assignment Four ~ Neoclassicism
        • Assignment Four – Formative Feedback
        • Assignment Four~ REVISED ~ Neoclassicism
      • Assignment Five
        • Assignment Five ~ Ars Nova, Renaissance and Baroque Music
        • Assignment Five – Formative Feedback
    • LISTENING LOG
      • Listening Log- [Pt.1 Proj.2] – ‘Baisha xiye’ 白沙细乐 traditional music of the Naxi people of China.
      • Listening Log – [Pt. I Proj.2]- Ennio Morricone’s ‘The Good, The Bad and The Ugly: Original Motion Picture Soundtrack’
      • Listening Log – Pt. II ~ Twentieth-century Music – Igor Stravinsky’s ~ Le Sacre du printemps  ‘Весна священная’
      • Listening – [Pt. II – Proj. 1] – Ravel’s Bolero
      • Listening Log – [Pt. II – Proj. 1] – Edgar Varèse’s Amériques
      • Listening Log- [Pt. II – Proj. 1] ~ Edgar Varèse- Déserts
      • Listening Log- [Pt. II – Proj. 1] Carl August Nielsen’s Symphony No. 5, Op  50
      • Listening Log- [Pt. II] – Impressionism – Claude Debussy’s ‘Prelude to the Afternoon of a Faun’
      • Listening Log – [Pt.II] – Maurice Ravel’s ‘Ondine’
      • Listening Log – [Pt.II] – Manuel de Falla’s ‘Night’s in the Garden’s of Spain’
      • Listening Log – [Pt.II] – Ernest Fanelli’s ‘Tableaux symphoniques d’apres le Roman de la Momie’
      • Listening Log- [Pt. II Proj.2] ~ John Cage- Various
      • Listening Log – [Pt. II Proj.2] -Luigi Nono – Sofferte onde Serene (1976)
      • Listening Log- [Pt. II – Proj. 3] Steve Reich’s ‘Clapping Music’
      • Listening Log [Pt. II Proj.2] -Britten’s ‘The turn of the Screw’ chamber opera
      • Listening Log- [Pt. III- Proj.2] Ludwig Van Beethoven’s Piano Trio in B Flat Major, Op. 11 “Gassenhauer”
      • Listening Log- [Pt. III- Proj.2] Ludwig Van Beethoven’s Symphony No. 1 in C Major, Op. 21
      • Listening Log- [Pt. III – Proj.2] – Ludwig Van Beethoven’s first piano sonata No 1 in F minor, Op 2
      • Listening Log- [Pt. III – Proj.2] – Ludwig Van Beethoven’s last piano sonata No 32 in C minor, Op 111
      • Listening Log -[Pt. III – Proj.2] Gustav Mahler tone poem- Symphony No. 8 in E-flat major
      • Listening Log – [Pt. IV Proj.1] Wolfgang Amadeus Mozart’s Symphony No. 40 in G minor, K.550
      • Listening Log – [Pt. I Proj.2]- Wolfgang Amadeus Mozart, Various. ‘AMADEUS: Original Motion Picture Soundtrack’
      • Listening Log – [Pt. IV Proj.2] – Joseph Haydn’s symphony no. 103
      • Listening Log- [Pt. IV – Proj. 4] – Wolfgang Amadeus Mozart’s – The Magic Flute
      • Listening Log- [Pt. V- Proj.1] Georg Philipp Telemann – Concerto in E minor for Flute and Recorder, TWV 52:e1
      • Listening Log- [Pt. V- Proj.1] Guiseppe Tartini – Sonata in G minor, Bg,5 ‘Il Tillo Del Diavolo’
      • Listening Log- [Pt. V- Proj.2]- Johann Sebastian Bach’s Mass in B minor. BWV 232
      • Listening Log- [Pt. V- Proj.4]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
    • LEARNING LOG (all Projects/Exercises/Research)
      • Part I – Music today
        • Project One- Listening to music in the modern world
          • [Pt.I Proj.1] ~ Exercise 2 – Exploring genres
          • [Pt.I- Proj.1] ~ Exercise 1- Exercise How would you define music?
        • Project Two- Music in modern contexts
          • [Pt.I Proj.2] – Pop versus classical
          • [Pt.1 Proj.2] – World Music in a multicultural society
          • [Pt. I Proj.2] ~Exercise~ Listening to music in film
          • [Pt.I~Proj.2] -Music and technology
          • [Pt. I Proj.2] ~ Exercise – The qualities of pop music
        • Project Three – Instruments of the orchestra
          • [Pt.I Proj.3] ~Research point – Instruments of the Orchestra
        • Project Four – Contemporary classical music
          • [Pt. I Proj.4] ~ Exercise- Exploring contemporary classical composition- Sir John Tavener
      • PART II – Twentieth-century music
        • Project One – 1900 to 1945
          • [Pt. II Proj.1] – Exercise ~ Impressionism, rhythm and pitch
          • [Pt. II – Proj. 1] ~ Listening Log – Music between the wars 1919–1945 – Edgar Varese- Deserts
          • [Pt. II – Proj. 1] ~ 1900 to 1945 – Programme Notes to Carl August Nielsen’s Symphony No. 5, Op  50
          • [Pt. II – Proj. 1] ~ Listening Log – Music between the wars 1919–1945 – Ravel’s Bolero
          • [Pt. II – Proj. 1] ~ Listening Log – Music between the wars 1919–1945 – Varèse’s Amériques
        • Project Two – After the Second World War
          • [Pt. II Proj.2] ~ Exercise Considering chance and serial music
          • Pt. II – Proj. ? – Research point ~ Extended tonality –Britten’s ‘The turn of the Screw’ chamber opera
          • Pt. II Proj. ? – Impressionism – Research point ~ create my own version of of Cage’s 4’33”
        • Project Three – New audiences
          • [Pt. II – Proj. 3] ~ New instrumental sounds – Exercise Exploring composition for percussion- Steve Reich’s ‘Clapping Music’
      • PART III – Nineteenth-century innovation
        • Project Two – Romantic music
          • [Pt. III – Proj. 2] ~ Exercise – Expressing national identity
          • [Pt. III – Proj.2] – Exercise – Classical and Romantic- Beethoven
          • [Pt. III – Proj.2] – Listening Log – Programme music – symphonic poem – Mahler tone poem- Symphony No. 8 in E-flat major
          • [Pt. III- Proj.2] – Exercise Classical and Romantic- Beethoven’s Piano Trio in B Flat Major, Op. 11 “Gassenhauer”
        • Project Three – New audiences
          • [Pt. III – Proj. 3] ~ Exercise- Go to a concert
        • Project Four- Wagner and opera
          • [Pt. III – Proj. 4] ~ Research point- Was Wagner a Nazi?
      • PART IV – The Classical Style
        • Project One – Classical forms of composition
          • [Pt. IV Proj.1] -The Classical style – Classical forms of composition – Exercise Enjoying Classical music – Wolfgang Amadeus Mozart’s Symphony No. 40 in G minor, K.550
        • Project Two – Composers of the Classical Era
          • [Pt. IV – Proj. 2] – Exercise – Mozart as court musician /Amadeus
          • [Pt. IV Proj.2] – Listening Log – Composers of the Classical era – Haydn’s symphony no. 103
        • Project Three – Musical performance in the Classical era
          • [Pt. IV – Proj.3] – Research point – Period ensemble
          • [Pt. IV – Proj.3] – Exercise – The Mannheim School
        • Project Four – Opera in the Classical era
          • [Pt. IV – Proj. 4] – Exercise – Short critical review – the Magic Flute
      • PART V – Ars Nova, Renaissance and Baroque
        • Project One – Musical instruments of the Baroque and Renaissance eras
          • [Pt.V- Proj. 1] – Exercise ~ Listen to early music
          • [Pt.V- Proj. 1] ~ Research point – early instruments
        • Project Two – Baroque compositional forms
          • [Pt.V- Proj.2] ~ Exercise – Understanding Baroque forms
            • [Pt. V- Proj.1] Listening Log- Guiseppe Tartini – Sonata in G minor, Bg,5 ‘Il Tillo Del Diavolo’
            • [Pt. V- Proj.1] – Listening Log- Georg Philipp Telemann – Concerto in E minor for Flute and Recorder, TWV 52:e1
          • Project Three – Composers of the Baroque era
            • [Pt.V- Proj.3] ~ Listening Log – Johann Sebastian Bach’s Mass in B minor. BWV 232
            • [Pt.V- Proj.3] ~ Exercise – Musical patronage
          • Project Four – Ars Nova and Renaissance music
            • [Pt.V- Proj.4] ~ Research point – Humanism
            • [Pt.V- Proj.4] ~ Exercise- Renaissance composers – Monteverdi
            • [Pt.V- Proj.4] ~ – Listening Log – Ars Nova and Renaissance music – Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli (1562)
        • Project Five – Music Theory Project – Modes, tuning systems and early notation
          • [Pt.V~ Music Theory Proj. 1] – Modes, tuning systems and early notation -Research point – early notation examples
          • [Pt.V~ Music Theory Proj. 2] – Research point – different tuning systems
    • Summative Assessment Feedback- Mark Sheet – Music 1 – From Present to Past