Sunny Lazic – OCA – Music 1 ~ Stylistic Techniques
ASSIGNMENTS
ASSIGNMENT ONE ST
ASSIGNMENT ONE
ASSIGNMENT ONE, PART ONE – Q1-Q5 Renaissance Species Counterpoint
ASSIGNMENT ONE, PART TWO- ‘Rules in Music’ 500 word Essay.
Reflective Account 1
ASSIGNMENT TWO ST
ASSIGNMENT TWO
Reflective Account 2
Assignment Two REVISED
ASSIGNMENT THREE ST
ASSIGNMENT THREE
Reflective Account 3
ASSIGNMENT FOUR ST
ASSIGNMENT FOUR
Reflective Account 4
Assignment Four REVISED
ASSIGNMENT FIVE ST
ASSIGNMENT FIVE
Reflective Account 5
Assignment Five REVISED
Signposted entries
LO1 signpost
LO2 signpost
LO3 signpost
LO4 signpost
Reflective Presentation
LEARNING LOG
PART ONE – RENAISSANCE
PROJECT ONE – Gesualdo and Madrigals
[Pt. I Proj.1] Exercise 1.0 ‘Beltà poi che t’assenti’ by Gesualdo.
[Pt. I Proj.1] ~Research point 1.0: Renaissance madrigals
PROJECT TWO – Palestrina and the Mass
[Pt. I Proj.2]- Exercise 1.1 ANNOTATE SCORE OF PALESTRINA’S Giovanni Pierluigi da Palestrina’s – ‘Missa Brevis’- Kyrie- In ‘Third Book of Masses’(from 1570)
[Pt. I Proj.2]- Research point 1.1: The Mass- history, form, structure, text and music.
[Pt. I Proj.2]- Research point 1.1: The Mass- pt II.- 500 word article on ‘Religion and Music’
PROJECT THREE – Introduction to Species Counterpoint
[Pt. I Proj.3] – Exercise 1.2: First species: Now it’s your go
[Pt. I Proj.3] – Exercise 1.3: Second species: Now it’s your go
[Pt. I Proj.3] – Exercise 1.4: Third and fourth species: Now it’s your go
[Pt. I Proj.3] – Exercise 1.5: Imitative counterpoint.
PART TWO – ROMANTICISM
PROJECT ONE – Orchestras and Virtuosos.
[Pt. II Proj.1] ~Research point 2.0: The orchestral score and INSTRUMENT GLOSSARY
[Pt. II Proj.1] ~Research point 2.1- ‘Harold en Italie’
PROJECT TWO – Wagner operas
[Pt. II Proj.2] ~Research point 2.2: The Ring cycle
PROJECT THREE – Exploring chromaticism
[Pt. II Proj.3] – Exploring Chromaticism ~Exercise 2.1: Nocturne Ornamentation
[Pt. II Proj.3] ~Research point 2.3: Globalisation
[Pt. II Proj.3] ~Research point 2.4: Performance practice in practice
PART THREE – BAROQUE PERIOD
PROJECT ONE – Handel’s Dixit Dominus and Figured Bass
[Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.0: Annotate Score.
[Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Research point 3.0: Renaissance and Baroque tuning systems.
[Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.1: Chord Spacing (voicing).
[Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.2: Working out for the numbers for the figured bass of bb. 12-16 of Dixit.
[Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.3: Personal reflection of the exercises and your opinion of figured bass.
PROJECT TWO – A Bach Sonata
[Pt. III Proj.2] – A Bach Sonata – Research point: 3.1- Baroque ornamentation.
[Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.a – Compose music influenced by Bach’s sonata.
[Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.b – 200 word reflection on writing a Baroque sonata.
PROJECT THREE – A Bach Chorale
[Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5: Write 300 word on J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
[Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5. B: Chorale Harmonisation of J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
[Pt. III Proj.3] – A Bach Chorale- Research Point 3.2 – Review of Max Richter’s ‘Vivaldi Recomposed’.
PART FOUR – MOVING INTO THE TWENTIETH CENTURY
PROJECT ONE – Debussy and Impressionism
[Pt. IV Proj.1] – Moving into the Twentieth Century Project 1- Debussy and Impressionism ~ Research point 4.0: Investigate impressionism and symbolism in art and poetry.
[Pt. IV Proj.1] – Moving into the Twentieth Century – Project 1- Debussy and Impressionism – Research Point 4.1 –Prélude à l’après-midi d’un faune
PROJECT TWO – New harmonic fields
[Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – La Cathédrale Engloutie
[Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.2 – Modes
[Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.3- Préludes II: Voiles, Whole- tone scale.
[Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.4- ‘So What’- Miles Davis and Impressionism.
PROJECT THREE – Serialism
[Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.0- Create your own twelve note row.
[Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.1- Schoenberg Thema.
[Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.5-Stravinsky and Neoclassicism.
[Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.6-Berg and Webern.
PART FIVE – THE CLASSICAL ERA
PROJECT ONE – Sonata Form
[Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.1: Haydn structural analysis and score annotations.
[Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.0: sonata form sections
[Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.2: The quality of the different passages of the first 30 bars.
[Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.3: your thoughts on the investigation of Haydn’s Emperor. Write 250 words.
[Pt. V Proj.1] – Sonata Form – Research point 5.1- Bartók’s string Quartet No. 4 (1928), 400 words
PROJECT TWO – String Quartets
[Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.1:B – Textural surprises and integrated compositional technique.
PROJECT THREE – Mozart and Development Sections
[Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.4 – Steve Reich’s Different Trains (1988). 400 words
[Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.4 – Haydn’s Emperor- second movement (the theme and variations)- summary of the different textures
[Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.3 – Different methodologies in musical analysis.
[Pt. V Proj.3] – The Classical Era- Project 3- Mozart and Development Sections ~ Exercise 5.6 – Mozart’s Sonata No. 15 in C major for Piano Forte.
LISTENING LOG
LISTENING LOG- PART ONE – ( The Renaissance )
Listening Log- [Pt. I- Proj.1]- Carlos Gesualdo da Venosa – ‘Belta Poi Che t’Assenti’ in ‘Il seto libro di madrigali. No. 2’ W. 6/16 Published in 1611.
Listening Log- [Pt. I- Proj.1]- Andrea Gabrieli – ‘Caro dolce ben mio, perche fuggire’ in ‘Musica di XIII autori illustri à 5 voci. No. 28’ 1576. Cat No. IAG 17
Listening Log – [Pt. I- Proj.1]- Claudio Monteverdi’s ‘Ah, Dolente Partita’ from the fourth book of madrigals, published in 1603
Listening Log- [Pt. I- Proj.1]- Orlande de Lassos – ‘Matona, Mia Cara’ in ‘Libro de Villanelle, moresche et altre canzoni, no.12’. Published in 1581
Listening Log – [Pt. I- Proj.1]- Thomas Morley’s ‘Now is the month of Maying’ in ‘First Book of Ballets to Five Voyces’ in 1595.
Listening Log- [Pt. I- Proj.1]- John Wilbye’s ‘Sweet honey-sucking bees’ from ‘The Second Set of Madrigals for 3-6 voices, no.17’ published 1598)
Listening Log-[Pt. I- Proj.2]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
Listening Log – [Pt. I- Proj.2]-Stravinsky’s Mass
Listening Log – [Pt. I- Proj. 2]-Olivier Messiaen’s ‘Messe de la Pentecôte” (from 1949-50)
Listening Log – [Pt. I- Proj. 2]-Sir John Tavener’s ‘The Protecting Veil’ (from 1988)
LISTENING LOG- PART TWO – ( The Romantic Era )
Listening Log – [Pt. II- Proj. 3]- John Williams’ ‘Star Wars (Main Title)’ (from 1977)
Listening Log – [Pt. II- Proj. 3]- Perry Como’s ’I’m Always Chasing Rainbows’ 1946 VERSUS Chopin’s ‘Fantasie Impromtu’Op.66 1834/1855.
Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Ride of the Valkyries theme’ (as used in Francis Ford Coppola’s 1978 film ‘Apocalypse Now’)
Listening Log – [Pt. II- Proj. 1]- Richard Strauss’ ‘Also Sprach Zarathustra Intro’1896 (as used in Stanley Kubrick’s 1968 film ‘2001: A Space Odyssey’)
Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Der Ring des Nibelungen’ (The Ring of the Nibelung) WWV 86. (1848 -1874)
Listening Log – [Pt. II- Proj. 1]- Hector Berlioz’ ‘Harold en Italie’ Symphonie en quatre parties avec un Alto principal, Op. 16
Listening Log – [Pt. II- Proj. 3]- Chopin’s Nocturne Op. 9 No. 3 in B major.
LISTENING LOG- PART THREE– ( Baroque Period )
Listening Log – [Pt. III ]- George Frideric Handel – Water Music- Suite in F major (HWV 348)
Listening Log – [Pt. III]- John Locke- Hornpipe- Mad Moll of the Cheshire Hunts ( 11H64 2432) 1909
Listening Log – [Pt. III]- La bourrée en Auvergne par Lou Belladaires and Johann Sebastian Bach – Bourrée in E Minor, BWV 996.
Listening Log – [Pt. III]- VASILI BYROS- PRELUDE IN D MINOR for Harpsichord (2015)
Listening Log – [Pt. III]- Johann Sebastian Bach- Goldberg Variations, BWV 988
Listening Log – [Pt. III]- Johann Sebastian Bach- Das wohltemperierte Klavier I, II, BWV 846–893 (Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893)
Listening Log – [Pt. III]- FRANCESCO TRISTANO- Circle Song (2017)
Listening Log – [Pt. III Proj, 3]- Johann Sebastian Bach- Wachet auf, ruft uns die Stimme, Cantata No. 140, BWV 140
Listening Log – [Pt. III]- Max Richter’s ‘Vivaldi Recomposed'(2012)
Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
Listening Log – [Pt. III]- Jasmin Kent Rodgman – ‘Idol Lost’ (2018)
Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
Listening Log – PART FOUR – (Moving into the Twentieth Century)
Listening Log – [Pt. IV]- Claude Debussy – Préludes. BOOK I. Prélude II: Voiles. (1909)
Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude VII (…Ce qu’a vu le vent d’ouest)
Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude IX (…La sérénade interrompue)
Listening Log – [Pt. IV]- ‘So What’ from Miles Davis’ 1959 ‘Kind of Blue’ album
Listening Log – [Pt. IV]- Bix Beiderbecke- In a Mist (1927)
Listening Log – [Pt. IV]- Thelonious Monk- Four in One (1951)
Listening Log – [Pt. IV]- Belle Chen- ‘Between the Land and Sea’ and ‘Shui’
Listening Log – [Pt. IV]- Medhi Hassan Ghazal- Raga Sahera
Listening Log – [Pt. IV]- Kraftwerk- Spacelab (1978) from the album ‘die Mensch maschine’.
Listening Log – [Pt. IV]- King Crimson- Fractured (1974) from ‘Starless And Bible Black’ album.
Listening Log – [Pt. IV]- Lili Boulanger – Vieille prière bouddhique (1917)
Listening Log – [Pt. IV]- Darius Milhaud – Le boeuf sur le toit, Op. 58 (1920)
Listening Log – [Pt. IV]- Tristan Murail- La Barque Mystique (1993).
Listening Log – [Pt. IV]- Arthur Honegger – ‘Pacific 231’-Movément Symphonique No. 1 (1923)
Listening Log – [Pt. IV]- Schoenberg’s ‘Variations for Orchestra. Op. 31 (1928)
Listening Log – [Pt. IV]- Stravinsky’s Neoclassicism
Listening Log – [Pt. IV]- Berg’s Violin Concerto, (1935) and Anton Webern – Symphony Op. 21 (1927-28)
LISTENING LOG – PART FIVE – (The Classical Era)
Listening Log – [Pt. V]- Haydn – Emperor String Quartet Op. 76 No. 3
Listening Log – [Pt. V]- Bartók – String Quartet No. 4 (1928)
Listening Log – [Pt. V]- Steve Reich – Different Trains (1988)
Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte
Listening Log – [Pt. V]- Beethoven – Pastoral Symphony No. 6 in F
Listening Log – [Pt. V]- Luigi Boccherini – String Quintet in E maj Opus 11 No 5. G275
Listening Log – [Pt. V]- Manoury – Tensio Second String Quartet
Listening Log – [Pt. V]- Mauricio Kagel- Streichquartett I and II (1965-67)
Listening Log – [Pt. V]- Crawford Seeger, Ruth – String Quartet (1931)
Listening Log – [Pt. V]-Clint Mansell- Lux Aeterna (2000) from ‘Requiem for a dream’ album (OST). (performed by Kronos Quartet)
Listening Log – [Pt. V]- Lee Westwood Ensemble – My Mind Is A Valley (2008)
Listening Log – [Pt. V]- [钢琴演奏] Raymond Yiu – Lullaby (for Edna Trident Hornbryce) 2020
Carla Rees’ Flute workshop
About Sunny
Show search form
Menu
- Select Page -
- ASSIGNMENT TWO
- ASSIGNMENT ONE
- [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.4 – Steve Reich’s Different Trains (1988). 400 words
- [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.4 – Haydn’s Emperor- second movement (the theme and variations)- summary of the different textures
- [Pt. II Proj.2] ~Research point 2.2: The Ring cycle
- [Pt. I Proj.2]- Exercise 1.1 ANNOTATE SCORE OF PALESTRINA’S Giovanni Pierluigi da Palestrina’s – ‘Missa Brevis’- Kyrie- In ‘Third Book of Masses’(from 1570)
- [Pt. I Proj.1] Exercise 1.0 ‘Beltà poi che t’assenti’ by Gesualdo.
- [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.0: Annotate Score.
- ASSIGNMENT ONE, PART ONE – Q1-Q5 Renaissance Species Counterpoint
- [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – La Cathédrale Engloutie
- PROJECT ONE – Orchestras and Virtuosos.
- [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Exercise 5.1:B – Textural surprises and integrated compositional technique.
- Listening Log – [Pt. V]- Haydn – Emperor String Quartet Op. 76 No. 3
- [Pt. II Proj.1] ~Research point 2.0: The orchestral score and INSTRUMENT GLOSSARY
- ASSIGNMENT FOUR
- [Pt. I Proj.3] – Exercise 1.2: First species: Now it’s your go
- LO1 signpost
- ASSIGNMENT FIVE
- [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5: Write 300 word on J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
- PROJECT ONE – Debussy and Impressionism
- ASSIGNMENT THREE
- Listening Log – [Pt. II- Proj. 3]- John Williams’ ‘Star Wars (Main Title)’ (from 1977)
- [Pt. IV Proj.1] – Moving into the Twentieth Century Project 1- Debussy and Impressionism ~ Research point 4.0: Investigate impressionism and symbolism in art and poetry.
- ASSIGNMENT ONE, PART TWO- ‘Rules in Music’ 500 word Essay.
- [Pt. I Proj.1] ~Research point 1.0: Renaissance madrigals
- [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.2 – Modes
- [Pt. IV Proj.1] – Moving into the Twentieth Century – Project 1- Debussy and Impressionism – Research Point 4.1 –Prélude à l’après-midi d’un faune
- Listening Log – [Pt. III ]- George Frideric Handel – Water Music- Suite in F major (HWV 348)
- PROJECT TWO – New harmonic fields
- [Pt. I Proj.3] – Exercise 1.3: Second species: Now it’s your go
- LO2 signpost
- [Pt. III Proj.3] – A Bach Chorale- Exercise 3. 5. B: Chorale Harmonisation of J.S. Bach’s Cantata ‘Wachet auf, ruft uns die Stimme’ BWV 140.
- [Pt. I Proj.2]- Research point 1.1: The Mass- history, form, structure, text and music.
- [Pt. V Proj.2] – The Classical Era- Project 2- String Quartets ~ Research point 5.3 – Different methodologies in musical analysis.
- Listening Log- [Pt. I- Proj.1]- Carlos Gesualdo da Venosa – ‘Belta Poi Che t’Assenti’ in ‘Il seto libro di madrigali. No. 2’ W. 6/16 Published in 1611.
- [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.3- Préludes II: Voiles, Whole- tone scale.
- Reflective Account 3
- Reflective Account 4
- [Pt. III Proj.2] – A Bach Sonata – Research point: 3.1- Baroque ornamentation.
- [Pt. I Proj.3] – Exercise 1.4: Third and fourth species: Now it’s your go
- LO3 signpost
- Reflective Account 5
- PROJECT THREE – Serialism
- [Pt. V Proj.3] – The Classical Era- Project 3- Mozart and Development Sections ~ Exercise 5.6 – Mozart’s Sonata No. 15 in C major for Piano Forte.
- Reflective Account 1
- PROJECT ONE – Gesualdo and Madrigals
- [Pt. IV Proj.2] – Moving into the Twentieth Century – Project 2- New harmonic fields – Research Point 4.4- ‘So What’- Miles Davis and Impressionism.
- Listening Log- [Pt. I- Proj.1]- Andrea Gabrieli – ‘Caro dolce ben mio, perche fuggire’ in ‘Musica di XIII autori illustri à 5 voci. No. 28’ 1576. Cat No. IAG 17
- Assignment Four REVISED
- [Pt. I Proj.3] – Exercise 1.5: Imitative counterpoint.
- LO4 signpost
- Assignment Five REVISED
- [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.a – Compose music influenced by Bach’s sonata.
- PROJECT TWO – Palestrina and the Mass
- Listening Log – [Pt. II- Proj. 3]- Perry Como’s ’I’m Always Chasing Rainbows’ 1946 VERSUS Chopin’s ‘Fantasie Impromtu’Op.66 1834/1855.
- Listening Log – [Pt. IV]- Claude Debussy – Préludes. BOOK I. Prélude II: Voiles. (1909)
- LISTENING LOG- PART ONE – ( The Renaissance )
- LISTENING LOG- PART TWO – ( The Romantic Era )
- Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude VII (…Ce qu’a vu le vent d’ouest)
- Listening Log – [Pt. IV]- Claude Debussy’s – Préludes-Book I, Prélude IX (…La sérénade interrompue)
- Listening Log – [Pt. IV]- ‘So What’ from Miles Davis’ 1959 ‘Kind of Blue’ album
- [Pt. I Proj.2]- Research point 1.1: The Mass- pt II.- 500 word article on ‘Religion and Music’
- PROJECT ONE – Handel’s Dixit Dominus and Figured Bass
- [Pt. II Proj.1] ~Research point 2.1- ‘Harold en Italie’
- [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Research point 3.0: Renaissance and Baroque tuning systems.
- Listening Log – [Pt. IV]- Bix Beiderbecke- In a Mist (1927)
- PROJECT ONE – Sonata Form
- Listening Log – [Pt. IV]- Thelonious Monk- Four in One (1951)
- [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.1: Chord Spacing (voicing).
- [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.2: Working out for the numbers for the figured bass of bb. 12-16 of Dixit.
- Listening Log – [Pt. IV]- Belle Chen- ‘Between the Land and Sea’ and ‘Shui’
- PART ONE – RENAISSANCE
- PROJECT TWO – String Quartets
- [Pt. III Proj.1] – Handel’s Dixit Dominus and Figured Bass ~Exercise 3.3: Personal reflection of the exercises and your opinion of figured bass.
- PROJECT THREE – Mozart and Development Sections
- Listening Log – [Pt. V]- Bartók – String Quartet No. 4 (1928)
- Listening Log – [Pt. IV]- Medhi Hassan Ghazal- Raga Sahera
- Listening Log – [Pt. V]- Steve Reich – Different Trains (1988)
- Listening Log – [Pt. IV]- Kraftwerk- Spacelab (1978) from the album ‘die Mensch maschine’.
- Listening Log – [Pt. V]- Mozart’s Sonata No. 15 in C major for Piano Forte
- [Pt. III Proj.3] – A Bach Chorale- Research Point 3.2 – Review of Max Richter’s ‘Vivaldi Recomposed’.
- [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.1: Haydn structural analysis and score annotations.
- Listening Log – [Pt. IV]- King Crimson- Fractured (1974) from ‘Starless And Bible Black’ album.
- Listening Log – [Pt. IV]- Lili Boulanger – Vieille prière bouddhique (1917)
- PROJECT THREE – Introduction to Species Counterpoint
- [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.0: sonata form sections
- Listening Log – [Pt. V]- Beethoven – Pastoral Symphony No. 6 in F
- Listening Log – [Pt. IV]- Darius Milhaud – Le boeuf sur le toit, Op. 58 (1920)
- [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.2: The quality of the different passages of the first 30 bars.
- Reflective Account 2
- [Pt. V Proj.1] – The Classical Era- Project 1- Sonata Form ~ Exercise 5.3: your thoughts on the investigation of Haydn’s Emperor. Write 250 words.
- Listening Log – [Pt. IV]- Tristan Murail- La Barque Mystique (1993).
- [Pt. II Proj.3] – Exploring Chromaticism ~Exercise 2.1: Nocturne Ornamentation
- Listening Log – [Pt. IV]- Arthur Honegger – ‘Pacific 231’-Movément Symphonique No. 1 (1923)
- [Pt. V Proj.1] – Sonata Form – Research point 5.1- Bartók’s string Quartet No. 4 (1928), 400 words
- Assignment Two REVISED
- Listening Log – [Pt. I- Proj.1]- Claudio Monteverdi’s ‘Ah, Dolente Partita’ from the fourth book of madrigals, published in 1603
- Listening Log – [Pt. IV]- Schoenberg’s ‘Variations for Orchestra. Op. 31 (1928)
- [Pt. II Proj.3] ~Research point 2.3: Globalisation
- [Pt. II Proj.3] ~Research point 2.4: Performance practice in practice
- Listening Log- [Pt. I- Proj.1]- Orlande de Lassos – ‘Matona, Mia Cara’ in ‘Libro de Villanelle, moresche et altre canzoni, no.12’. Published in 1581
- Listening Log – [Pt. IV]- Stravinsky’s Neoclassicism
- Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Ride of the Valkyries theme’ (as used in Francis Ford Coppola’s 1978 film ‘Apocalypse Now’)
- Listening Log – [Pt. IV]- Berg’s Violin Concerto, (1935) and Anton Webern – Symphony Op. 21 (1927-28)
- Listening Log – [Pt. I- Proj.1]- Thomas Morley’s ‘Now is the month of Maying’ in ‘First Book of Ballets to Five Voyces’ in 1595.
- Listening Log- [Pt. I- Proj.1]- John Wilbye’s ‘Sweet honey-sucking bees’ from ‘The Second Set of Madrigals for 3-6 voices, no.17’ published 1598)
- [Pt. III Proj.2] – A Bach Sonata – Exercise: 3.4.b – 200 word reflection on writing a Baroque sonata.
- [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.0- Create your own twelve note row.
- PROJECT TWO – Wagner operas
- [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – exercise 4.1- Schoenberg Thema.
- [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.5-Stravinsky and Neoclassicism.
- Listening Log-[Pt. I- Proj.2]- Giovanni Pierluigi da Palestrina’s – Missa Papae Marcelli
- PROJECT THREE – Exploring chromaticism
- [Pt. IV Proj.3] – Moving into the Twentieth Century – Project 3 -Serialism – Research point 4.6-Berg and Webern.
- Listening Log – [Pt. I- Proj.2]-Stravinsky’s Mass
- Listening Log – [Pt. I- Proj. 2]-Olivier Messiaen’s ‘Messe de la Pentecôte” (from 1949-50)
- Listening Log – [Pt. I- Proj. 2]-Sir John Tavener’s ‘The Protecting Veil’ (from 1988)
- Listening Log – [Pt. II- Proj. 1]- Richard Strauss’ ‘Also Sprach Zarathustra Intro’1896 (as used in Stanley Kubrick’s 1968 film ‘2001: A Space Odyssey’)
- PART TWO – ROMANTICISM
- Listening Log – [Pt. III]- John Locke- Hornpipe- Mad Moll of the Cheshire Hunts ( 11H64 2432) 1909
- Listening Log – [Pt. II- Proj. 2]- Richard Wagner’s ‘Der Ring des Nibelungen’ (The Ring of the Nibelung) WWV 86. (1848 -1874)
- PROJECT TWO – A Bach Sonata
- Listening Log – [Pt. II- Proj. 1]- Hector Berlioz’ ‘Harold en Italie’ Symphonie en quatre parties avec un Alto principal, Op. 16
- Listening Log – [Pt. II- Proj. 3]- Chopin’s Nocturne Op. 9 No. 3 in B major.
- LISTENING LOG- PART THREE– ( Baroque Period )
- PART THREE – BAROQUE PERIOD
- Listening Log – [Pt. III]- La bourrée en Auvergne par Lou Belladaires and Johann Sebastian Bach – Bourrée in E Minor, BWV 996.
- Listening Log – PART FOUR – (Moving into the Twentieth Century)
- PART FOUR – MOVING INTO THE TWENTIETH CENTURY
- Listening Log – [Pt. III]- VASILI BYROS- PRELUDE IN D MINOR for Harpsichord (2015)
- PROJECT THREE – A Bach Chorale
- Listening Log – [Pt. III]- Johann Sebastian Bach- Goldberg Variations, BWV 988
- Listening Log – [Pt. III]- Johann Sebastian Bach- Das wohltemperierte Klavier I, II, BWV 846–893 (Glenn Gould plays Bach: The Well-Tempered Clavier Books I & II, BWV 846-893)
- ASSIGNMENT ONE ST
- Listening Log – [Pt. III]- FRANCESCO TRISTANO- Circle Song (2017)
- Listening Log – [Pt. III Proj, 3]- Johann Sebastian Bach- Wachet auf, ruft uns die Stimme, Cantata No. 140, BWV 140
- Listening Log – [Pt. III]- Max Richter’s ‘Vivaldi Recomposed'(2012)
- Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
- Listening Log – [Pt. III]- Jasmin Kent Rodgman – ‘Idol Lost’ (2018)
- Listening Log – [Pt. III]- Alex Ho – ‘Untold’ abridged version (2019)
- PART FIVE – THE CLASSICAL ERA
- Listening Log – [Pt. V]- Luigi Boccherini – String Quintet in E maj Opus 11 No 5. G275
- Listening Log – [Pt. V]- Manoury – Tensio Second String Quartet
- LISTENING LOG – PART FIVE – (The Classical Era)
- Listening Log – [Pt. V]- Mauricio Kagel- Streichquartett I and II (1965-67)
- Listening Log – [Pt. V]- Crawford Seeger, Ruth – String Quartet (1931)
- Listening Log – [Pt. V]-Clint Mansell- Lux Aeterna (2000) from ‘Requiem for a dream’ album (OST). (performed by Kronos Quartet)
- Listening Log – [Pt. V]- Lee Westwood Ensemble – My Mind Is A Valley (2008)
- Listening Log – [Pt. V]- [钢琴演奏] Raymond Yiu – Lullaby (for Edna Trident Hornbryce) 2020
ASSIGNMENTS
- ASSIGNMENT TWO ST
- ASSIGNMENT THREE ST
- ASSIGNMENT FOUR ST
Signposted entries
- ASSIGNMENT FIVE ST
Reflective Presentation
LEARNING LOG
LISTENING LOG
Carla Rees’ Flute workshop
About Sunny
Search for:
Hide search form
[Pt. IV -Proj.1] – Listening Logs ~ Classical forms of composition
Loading Comments...
Write a Comment...
Email (Required)
Name (Required)
Website
